When writer/director David Twohy’s The Arrival opened in late May 1996, it got lost in a marketplace dominated by Mission: Impossible and Twister and the hype over the impending Independence Day. As the highly anticipated Amy Adams-starrer prepares to arrive in theaters, let us take a moment to look back at a past thriller about extraterrestrial incursion with an (almost) identical title. The Hunger Games: Mockingjay - Part 2 (2015). He follows their trail to Mexico, where he hooks up with climatologist Ilana Green (Lindsay Crouse), who has been investigating odd pockets of global warming, and what they find south of the border makes them targets of a conspiracy involving both humans and aliens. When writer/director David Twohy’s The Arrival opened in late May 1996, ... By Felix Morgan, Nov 28, 2016. Let’s look back at the work of a composer we lost far too early. How THE HAUNTING OF HILL HOUSE Pulled Off That Insane Single-Take Shot | Birth.Movies.Death. Pioneer issued a two-platter laserdisc set in 1997 containing Twohy’s commentary, a making-of documentary and more, but none of the significant extras were ported over to the subsequent DVD and Blu-ray releases. Having trouble thinking of good comparisons? Theatrical Versions, Collins’ Crypt: HALLOWEEN 6 - Producer’s Cut vs Theatrical Cut. He spent 28 years on the FANGORIA staff, beginning as a writer, becoming managing editor and eventually editor in chief, and is part of the magazine's relaunch this year. Arrival (2016) Add a movie to the comparison: Popular comparisons with first movie (click to add): Passengers (2016) , Avatar (2009) , Gravity (2013) , The Hunger Games: Mockingjay - Part 2 (2015) , Blade Runner 2049 (2017) The early-CGI aliens themselves—bipedal creatures with backward-bent knees—are unmistakably digital but still pretty cool, and there’s some fun dialogue as well. (In some quarters, The Arrival may be best known for Sheen’s immortal line “I look like a can of smashed assholes.”). And it’s a reminder of the days when Charlie Sheen was taken more seriously as an actor. The Arrival was one of a string of box-office disappointments that led to the demise of distributor Orion Pictures a couple of years later—which fortunately did not impede its writer/director’s progress. In which Kevin Tong takes on Denis Villeneuve. The Perfect Murder: CLUE’S Infamous Fourth Ending. Though Sheen tends to bug out his eyes too much while making a point, he does emerge as an engaging Everyman hero to guide the audience through this wild tale, and he’s supported by a solid cast including Crouse, Silver (bringing to Gordian the same snaky menace he did to his villainous turn in Timecop two years earlier), Richard Schiff as Zane’s fellow scientist and Teri Polo as Zane’s long-suffering girlfriend. That was and is a shame, since The Arrival is a prime example of the kind of modestly budgeted but imaginative science fiction that occasionally breaks out (as with last year’s Ex Machina) but more often falls beneath the onslaught of megamovies. Popular comparisons with first movie (click to add): Passengers (2016), Star Kid (1998), Avatar (2009), Gravity (2013), The Hunger Games: Mockingjay - Part 2 (2015). The Arrival did do well enough on video that a straight-to-tape sequel, Kevin S. Tenney’s Arrival II: The Second Arrival, followed in 1998, though its disc history has been disappointing. Building a wall won’t stop the menace from Mexico in this under-celebrated sci-fi thriller. FANTASTIC BEASTS And ARRIVAL: Short Guys Finish First. Twohy’s next film—2000’s Pitch Black, with the same producers—was a sleeper hit and Vin Diesel’s breakout movie, and the duo went on to make a pair of Riddick sequels; Twohy also scripted and helmed the underappreciated 2009 psychothriller A Perfect Getaway, starring Steve Zahn, Milla Jovovich and Timothy Olyphant. But the one that deserves our attention today is a theatrical release from five years later that was overshadowed at the time by big-budget competition. So, for example, a film that plays in 3,000 theaters in its first week and 2,000 theaters in its second week will have had 5,000 theatrical engagements. Arrival finally hits theaters this week (you can buy your tickets here). The True Story Of Annabelle, The Haunted Doll From THE CONJURING | Birth.Movies.Death. In celebration, we have a collection of great articles inspired by the film. Collins’ Crypt: THE EXORCIST Director’s Cut Vs. Michael Gingold has been covering horror and fantastic cinema since his teen years, when he started his Xerox fanzine SCAREAPHANALIA. In addition to BIRTH.MOVIES.DEATH, Michael currently contributes to RUE MORGUE, TIME OUT NEW YORK and SCREAM magazine. Find similar movies with our Report Builder. Twohy had previously scripted or co-scripted Warlock, Waterworld and The Fugitive, the latter most pertinent as The Arrival is another man-on-the-run story. A look at the atypical romances in two of this fall's biggest films. While it builds to a reasonably spectacular climax, with one “Whoa!”-inducing moment atop a giant satellite dish, The Arrival is more concerned with smaller-scale yet still potent thrills, most notably in a scene involving a bunch of scorpions. Movie Comparison: The Arrival (1996) vs. Sheen plays radio astronomer Zane Ziminski, who picks up a brief but powerful signal that suggests a communiqué from intelligent life beyond our solar system. Appreciating The Musical Scores Of Jóhann Jóhannsson, Rejoice: Mondo’s Finally Releasing An ARRIVAL Poster. Zane is undeterred, however, and sets up a satellite command center in his garage to pick up the signals again. With the bigger Arrival set to dominate the theatrical landscape this month, it’s a shame the rights holders haven’t taken advantage of the opportunity to give Twohy’s film the new special-edition Blu-ray showcase it deserves. Note: A theatrical engagement is defined as the movie playing in a single theater for one week. There have, in fact, been two past sci-fi thrillers called The Arrival; the first, a 1991 direct-to-video flick directed by Tourist Trap’s David Schmoeller, was about an alien that takes over a dying man and turns him into blood-drinker. scenario with plenty of eccentric touches and setpieces: a multiple bathtub collapse in the flop hotel where Zane stays in Mexico; the aliens’ human-disguise process that Zane also uses at one point, and that leaves him resembling a Mexican version of himself; and most notably the “imploder,” a spherical device that creates a miniature black hole and sucks entire rooms and buildings clean. Unfortunately, his NASA boss, Phil Gordian (Ron Silver), reacts to the discovery by firing Zane and orchestrating a cover-up. The incorporation of climate change into the plot made The Arrival topical for its time, and throughout the film, Twohy accessorizes his who-can-be-trusted? A look at the atypical romances in two of this fall's biggest films.

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