"There's your problem right there," as they say on the Internet. Going into the movie, my understanding extended as far … Interestingly, the suggested answer is that subversion is performed by women for men's benefit. Wadjda is a school girl who has a dream of driving a bike, which is mostly considered to be a "boys' thing" in her community. A poignantly triumphant movie, the storyline of "WADJDA" is just as phenomenal as the story of how the film came to be. | On the other hand, we get the defensive responses of the governments/peoples of those countries who hate to have their countries painted in such broad strokes. Women may now ride bicycles, can sit on the national advisory council, and a decision has been made by King Abdullah permitting women to vote and run in municipal elections in 2015. Wadjda, the subject of Haifaa Al-Mansour’s seminal movie of the same name, is twelve years old. The other is Waad Mohammed in "Wadjda". It's the first feature film shot entirely in Saudi Arabia, a country where cinema is prohibited. Wadjda is an opportunity for a female Saudi director to get her voice heard, An Optimistic Tale of Triumph Over Adversity. Nothing more than mainstream media propaganda. Mohammed is so insanely lovable. The Middle East is such a hot topic, but so little of the conversation is generated by natives that it's almost impossible to have any sort of dialog. Doesn't matter what country you are from or the age, we all have a dream. Awards The movie industry in Saudi-Arabia is practically non-existent to this day, so the creation and shooting of the film ran permanently into obstacles, especially as it's the first Saudi-Arabian movie ever filmed by a woman, but the final result is definitely worth all the hassle. To collect 800 riyals (price of bike), she decides to compete in Quran competition to win 1000 riyals. The second thing in my mind was that perhaps Wadja would be very critical of Saudi as it may be seen as "time to settle some scores" and that this would be less a film and more a finger wagging exercise. Wadjda is a beautiful movie that speaks of female victimization in a culture that uses false notions of truth and propriety to achieve its purpose of subverting and controlling women. In the end, however, she achieves her dreams - but not in the way she expects. I was hugely touched by the film. In Wadjda writer/director Haifaa Al Mansour parallels the stories of 10-year-old Wadjda and her mother. This movie also show a sense of determination. It is also the first submission from Saudi Arabia for the Foreign Language Category for the 2014 Academy Awards. In particular, she wants to ride a bicycle, which is a huge taboo in Saudi Arabia (they're afraid it might break her hymen). Writer and director Haifaa Al Mansour is Saudi Arabia's first female filmmaker. Seeing how the limitations placed on women in Saudi Arabia play out in everyday life was of great interest to all of us. Metacritic Reviews. Regardless, it still takes a great deal of courage in Saudi Arabia to stand up to centuries of repressive traditions and assert your full rights as a human being. In the end, however, … She also has her own sense of style and asserts her independence and self confidence in various ways, from the reason why she enters the Quran memorization contest to how she sells bracelets to save up for something she wants to buy. All through the perspective of a charismatic young little girl who just wants a green bicycle. 10-year-old Wadjda lives in Saudi Arabia. The effort to simply support oneself without a man when one can't even drive or wear clothes that allow for mobility reflects how rules ostensibly meant to "protect" women keep them dependent on men for the most rudimentary basics. FAQ User Ratings A colorful dose of rebellion and the sweetness of a child's dream. Haifaa Al-Mansour's brave effort gives us an interesting glimpse into the lives of women in a strict religious country like Saudi Arabia. It might not the perfect description of life in Saudi for a woman, but it's a start and it brings up important points. Part of the reason for this is that the film has had quite a bit of publicity due to its place in history, it being the first film in Saudi Arabia directed by a woman and this made me think that perhaps critics would have been quick to be generous to it. Underneath the surface of a standard modern society we see how women have to cope in this patriarchal restrictive society. Starting from zero and despite all complications, she beats every school girl. On the one hand, we get the western phobia of Islam which includes hateful stories on the people/governments of Saudi Arabia, Iran, and Afghanistan. And how far a determination, patience and hope can take you. One is Onata Aprile in "What Maisie Knew". Its not often i find foreign movies that touch me deeply. The question that follows is by whom and for whose benefit? On the … Waad Mohammed stars as 12 year old Wadjda, a wily young girl who does not like her lot in life. A fantastic little film directed by a woman in Saudi Arabia. The existence and quality of the latter film is quite a miracle. This is exactly why a movie like this is so important! WADJDA is a straightforward tale of a young girl Wadjda (Waad Mohammed) growing up in a suburb of Riyadh, Saudi Arabia, who wants to buy a bicycle. Haiffa Al-Mansour is already accredited as being the first successful woman filmmaker in Saudi Arabia's history. After she had Wadjda, she can no longer have children, and her husband is trying to land a second wife so he can produce a male heir. Wadjda is a persistent, determined young girl who decides to learn how to ride a bicycle, even though it's not generally accepted for girls to ride bikes. It is quite hard to come to Wadjda with a clear head and I suspect with the awards season coming up, it will be harder to do so in the future, which is why I wanted to watch it now. A rare but curious journey into a society that seems so different than ours. Being a Saudi girl myself I didn't know what to expect, but honestly it was quiet good. Wadjda is 10. The director Haifaa Al-Mansour tells the tale of a child called Wadjda whose wish is to have her own bicycle so that she might race against her friend and neighbour Abeer. | Al-Mansour had to direct her cast from inside a van, because she couldn't direct the male crew out in the open. To restrict them is also to repress them; and this ultimately leads them to accept subordination as a way of life. Wadjda made me feel overwhelming ignorant about Saudi Arabian society as it relates to women. The story line depicted not only Wadjda's efforts to break free from her circumscribed world, but also how adult women struggle to survive. We went to see this as a family, with our two daughters, 14 and 16. By doing so, WADJDA shows how different people embraces different concepts of Islam. I love the fact we saw a raw view of Saudi and i truly enjoyed watching this movie. WADJDA proves that the opposite should be true; not only for Wadjda herself but also for her mother (Reem Abdullah). The total lack of films that come out of Saudi Arabia made Wadjda, a Saudi film by Haiffa Al- Mansour, instantly alluring. Wadjda is fascinating because it does two things brilliantly. It's also astounding because Saudi Arabia has almost zero history in the art of cinema. But she mustn't sing too loud, because the men can hear her and get offended. Wadjda is the first film made in Saudi Arabia, a country where cinema theaters are banned. That's why she is the only one standing for her dream, without even a little support of family. She sports a loose veil over her long hair and wears skinny jeans and Converse sneakers under her black abaya (a loose-fitting full-length robe worn by some Muslim women). Waad Mohammed played her part extraordinary where she took us viewers on her journey. So, with no budget, no celebrities, no digital effects, no gunfights, it's must be a crap if we call for the standards in actual entertainment. She wants to buy herself a bicycle so she can win a grudge race against a neighborhood boy, but has to find a way to hustle the money while going to a Saudi religious school that takes a dim view of fun and games.

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