"Mi Vida Loca," Allison Anders's brilliant study of girl gangs in Los Angeles' Echo Park, the boyz n the hood come and go, but the women endure. A few months ago, I was pleased to find the cop on the motorcycle pulling up in front of my car was actually none other than Papi Chulo, Julian Reyes! After Mousie has her baby, she becomes so absorbed by her new role as a mother that she doesn't have time for anyone -- not even Ernesto. The men may have their gangs, but by comparison they seem lost and disenfranchised. There's La Blue Eyes (Magali Avarado), a proper girl who studies instead of hanging out but ends up falling for the neighborhood Lothario (Jesse Borrego). "Mi Vida Loca," Allison Anders's brilliant study of girl gangs in Los Angeles' Echo Park, the boyz n the hood come and go, but the women endure. Mi vida loca (1993) cast and crew credits, including actors, actresses, directors, writers and more. Sad Girl (Angel Aviles) and Mousie (Seidy Lopez) have been the tightest of friends since childhood. Instead of flashing a knife or hitting her up for money, he asks her if maybe she might talk to him from time to time. Structurally, the picture is a series of fragments, with the narration passed like a baton in a relay race from one character to another. While she and her daughter trade Eskimo kisses, Ernesto begins to feel lonely and starts putting the moves on Sad Girl. The best of these is an exquisite scene in which a young gangbanger named Little Sleepy (Gabriel Gonzalez) goes for advice to his older namesake, Big Sleepy (Julian Reyes), who receives the boy with an indulgent deference. What matters is the way these homegirls banter and pull together their lives. Anders's zigzagging story line allows her to follow side roads that result in beautiful digressions of the sort you wouldn't find in a more conventional film. Granted, it's not the stuff of headlines, but just maybe it's the stuff of life. Mousie (Seidy Lopez) and Sad Girl (Angel Aviles) are best friends from childhood, growing up in gang-infested Echo Park and remaining loyal to each other. Though the picture doesn't build from scene to scene, that doesn't matter: Each segment on its own is richly detailed and vivid. But when Sad Girl sleeps with Mousie's boyfriend (a drug dealer who is killed) and becomes pregnant, their friendship is rupture… But in "Mi Vida Loca," the characters seem curiously contented. If the film has a main character, it's Sad Girl, and with the three-dot tattoo in the corner of one eye -- they look like tiny teardrops -- she lives up to her name as the gang's melancholy nexus. Her characters exist in revelatory flashes. Sad Girl, one of the film's narrators, laments that by age 21, the men in their lives are either dead or disabled or in prison. While this free-form approach allows Anders to exploit her extraordinary powers of observation, it occasionally breaks the film's rhythms and disrupts its momentum. As you know, Julian Reyes appeared in Mi Vida Loca as Big Sleepy and was also in a number of other projects in the 90’s. The women are family. Working from her own script, Anders has something like perfect pitch for the secret codes between these sisters, and she brushes aside the customary hysteria about life in the 'hood. At first, it looks as if nothing could come between these inseparable soul mates; then Mousie meets Ernesto (Jacob Vargas), a smooth-talking young tough from the neighborhood who romances her and gets her pregnant. It's hard not to envy these vibrant Latinas their cool solidarity. Mi Vida Locatells the story of young Mexican-American women in Los Angeles and the struggles they have in a life of gangs, drugs, and personal betrayal. They have watched each other's backs and gone through all the ordeals of growing up together. But though the rivalry between Sad Girl and Mousie gives the material a dramatic spine, Anders is less interested in plot than in the black curve of a character's eyeliner or the trajectory of a well-hurled insult. And Giggles (Marlo Marron) freaks out her friends after she gets out of jail with her talk of becoming -- of all things -- a computer programmer. In one extraordinary scene, Sad Girl is approached in the park by an old friend who's so strung out on drugs that he's barely recognizable. They don't bother themselves with dreams. Mi Vida Loca (also known as My Crazy Life) is a 1993 American drama film directed and written by Allison Anders, produced by Cineville. As a result, the women in the film are united by a inviolable bond. Like Mousie, Sad Girl has Ernesto's baby too, sparking a bitter feud that dominates the movie's narrative. According to the popular Hollywood view, all the dreams in the barrio are of getting out. The streets here aren't merely mean; they're sun-drunk and buzzing with life.

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