Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. You could have done better but I don't mind In January 1963, Broadside magazine published the song under the title "It's All Right" with some minor lyric variations from the familiar version. which amazingly reached the Top Ten at the start of 1966. Peter, Paul & Mary sing Bob Dylan's iconic tune written in 1962, and released on the 1963 album The Freewheelin' Bob Dylan "Don't Think Twice". Last.fm Music | Copyright © 2020 CBS Interactive Inc. / All rights reserved. Copyright: Writer(s): Bob Dylan Lyrics Terms of Use, It ain't no use in calling out my name, girl Do you know any background info about this track? Over this tune, Dylan wrote a lyric reflecting on his separation from his girlfriend of the time, Suze Rotolo, who was away in Italy. Scrobbling is when Last.fm tracks the music you listen to and automatically adds it to your music profile. Like you never did before Don't think twice, it's all right This is just a preview! Don't think twice, it's all right, Peter, Paul & Mary Lyrics provided by SongLyrics.com. I ain't sayin' you treated me unkind Peter, Paul & Mary - Don`t Think Twice, It`s Alright Lyrics. But don't think twice, it's all right The trio Peter, Paul and Mary (often PP&M) is an American musical group that was one of the most successful folk-singing groups of the 1960s. Newly recorded covers of "Don't Think Twice, It's All Right" continued to turn up on chart LPs almost every year through the mid-'70s, significantly including one by Elvis Presley recorded on May 16, 1971. You could've done better, but I don't mind But goodbye's too good a word, gal "Dylan treats 'Don't Think Twice, It's All Right' differently from most city singers," Hentoff wrote. Lyrics to 'Don't Think Twice It's All Right' by Peter, Paul and Mary: It ain't no use in calling out my name, girl Like you never did before Ain't no use in calling out my name, girl I can't hear for you any more When the rooster crows at the break of dawn Peter, Paul And Mary "Don't Think Twice, It's All Right": It ain't no use to sit and wonder why, babe It don't matter, anyhow An' it ain't no use to sit and w... Peter, Paul And Mary - Don't Think Twice, It's All Right Lyrics | AZLyrics.com It was written by the 21-year-old singer/songwriter in October 1962. It's as if you were talking to yourself.'" That light I never knowed The Very Best of Peter, Paul and Mary Album. It ain't no use to sit and wonder why, babe It don't matter anyhow And it ain't no use to sit and wonder why, babe If you don't know by now Make sure your selection A 2:45 edit was released on an album simply titled Elvis in July 1973, and an edit running 8:35 was issued on Our Memories of Elvis, Vol. You just sort of wasted my precious time Don't think twice, it's all right. "Don't Think Twice, It's All Right" is among the most successful of Bob Dylan's early songs. The popular success of what was, in essence, a parody version only underscored the song's broad reach. Where I'm bound, I can't tell In the first verse, he tells her she is the reason he's leaving; in the second he wishes she would say or do something to make him stay; in the third he claims she wanted too much from him; and by the final verse he has become overtly sarcastic. And it ain't no use to sit and wonder why, babe That single probably was issued to gain some attention for the original version of a Dylan song that was already heading up the charts in a cover by Peter, Paul and Mary, for whom "Blowin' in the Wind" crested just below the top of the charts in August. Don't think twice, it's all right, It ain't no use in turning on your light, babe Let us know what you think of the Last.fm website. You just sort of wasted my precious time Actually, Presley was in the studio that day to cut songs for a Christmas album, but, as was their wont, he and his band began jamming on a song not on their schedule, and they did so for nearly 11 and a half minutes. It don't matter anyhow I once loved a woman, a child I'm told He is assisted by the jaunty tune, which "rocks between minor and major thirds over the vivacious beat, balancing its dominant by a subdominant modulation, and effecting release by a chromatic twist in the return to the tonic," as Wilfred Mellers notes in A Darker Shade of Pale: A Backdrop to Bob Dylan (London: Faber and Faber, 1984).

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