Paul Elliott's crisp cinematography provides an effective bright look. Mary Jo is the main character of the episode "Four-Sided Triangle". It's not all that great of a tale, but it's very enjoyable and I appreciate the off-beat tone and slight surreality quality it has that went along well the dingy and desolate setting of the isolated farm. I can get why George was intimidating, but Luisa? "Four-Sided Triangle" Shock SuspenStories #17: Tom Holland: James Tugend: May 29, 1990 () A young farmhand (Patricia Arquette) suffers a head injury and believes that a scarecrow is her lover. Luisa’s husband farmer George, working on the truck, watches her go into the barn. The haggard Luisa Yates comes down looking for her coffee and finds servant girl Mary Jo still in bed. As a sweet extra plus, the delectable Ms. Arquette spends a majority of her screen time wearing a clingy'n'dingy white shirt with no bra underneath. This episode is neither interesting enough nor horrific enough to stand on it's own, making it among season two's worst offerings. That night, George dreams of her, wakes up to hear her laughing and dancing outside. External Reviews The thing I most enjoy is the mystery regarding the triangle of Mary Jo, George and Louisa. It would have been interesting if that was an act to lure George & Luisa to their deaths, but there is no sign of that as she skips into the cornfield still acting like a 9 year old girl. Not a great one but twisted and different enough to be good. Four-Sided Triangle I think it's a bit of both, like she might be doing it without even realizing, maybe! Add the first question. It's too bad it falls apart in the end, where it counts. I love the funny note on which the story ends in the final scene where a joyous Mary Jo sings "chicken pot-pie, and I don't care" and skipping merrily away into the creepy rotting rows of corn. Then she is surprised to see real blood pouring out of her own chest as Mary Jo impales her on the pitchfork. . This FAQ is empty. Ross was good too as a thoroughly unpleasant, gross-looking letch of a redneck. | | Of the three episodes that Tom Holland directed, I like this one the most. A farm fantasy and imaginary friend free a farm girl from a mean country couple. That night she goes to the scarecrow again. From being beaten physically the problems begin to get worse when the man of the farm shows interest in the young girl in sexual terms. Mary Jo is a naive young woman that gets abused by an old lady, Luisa and constantly hit on by a horny old man, George Yates. That, and the strong performances of Arquette and Blommaert. All along this is only a clever scheme to break free, in the end just as you think the scarecrow has came to life, he has but the scarecrow dies quickly! A hot, hot . This is James Tugend’s only writing credit. It may not have the great, insane gore of "Lover come Hack to Me", or whatever the hell "King of the Road" was supposed to be about, but this darkly weird little thriller scores points for sheer weird edginess. Was this review helpful to you? The blow to the head seems to have knocked about 50 IQ points out of her as she suddenly seems two cans short of a six-pack, and still two cups short of a bra. . I'm not that big a fan of Patricia Arquette but I liked her in this, here, it suited her weird way of acting playing a kooky, brain-damaged kidnapped girl on a psycho farm, who liked to sing little nursery rhymes and talk in an adoring voice about her "man." Also, I don't get why Mary Jo endured so much abuse. The haggard Luisa Yates comes down looking for her coffee and finds servant girl Mary Jo still in bed. The scarecrow? Good tale from the crypt. A young woman forced to work for Mary Jo was a young pickpocket. The viewer sees how the clever farm girl has outsmarted the country couple as the episode ends with a shocking twist that frees her at last! Save my name, email, and website in this browser for the next time I comment. George and Luisa figure they got themselves some free help as they hold Mary Jo hostage on the farm threatening to tell the police that she robbed the Stop & Go. I think it's a bit of both, like she might be doing it without even realizing, maybe! The thing I most enjoy is the mystery regarding the triangle of Mary Jo, George and Louisa. George is a farmer, although it is his disabled wife who wears the trousers. It plays like a dull thriller instead of a tongue-in-cheek horror short. That, and the strong performances of Arquette and Blommaert. Director/co-writer Tom Holland does a capable job of creating a strong and oppressively grim rural atmosphere and keeps the viewing guessing right to the end whether Mary Jo is truly nuts or just faking it. He had some producing credits 25 years before. Choose an adventure below and discover your next favorite movie or TV show. The first time I saw this I was very annoyed and disappointed that it never happens, because as a great fan of all things monsters, I really needed the dang scarecrow to be alive! Directed by Tom Holland. She can't use one of her legs very well and needs a cane, whack her one! Patricia Arquette's character is annoying and idiotic. Mary Jo appears to have gone crazy when she begins claiming that the scarecrow in the field is alive. Sound's strange, doesn't it? Another memorable little episode, mainly due the excellent performance given by Patricia Arquette and the nice finale. Not condoning his voyeurism, but it is understandable as Mary Jo is young, cute, and not a fan of the bra. George is together with Luisa, but feels no attraction to her anymore, considering she has issues with one of her legs. Looking for something to watch? I like the few episodes that feature cruel hillbilly's. She keeps talking worshipfully about her man who is so big and strong and will make love to her. thing with the scarecrow got on my nerves quickly. For example, it is never clear if Mary Jo became so child-like after the bottle to the head, or was she always like that? I didn't give a damn about any of these people, let alone our supposed "heorine" Mary Jo. But, can't win 'em all, can we? Search for "Four-Sided Triangle" on Amazon.com, Title: Ross was good too as a thoroughly unpleasant, gross-looking letch of a redneck.

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