She, in particular, is a player who relishes low tonalities, who’s not afraid to dig in and go deep into the well, taking charge to the point where she was essentially leading the ensemble. If there’s anybody who doesn’t think that the contemporary string quartet repertoire is one of the world’s most exhilarating, they weren’t onstage or in the crowd last night at Carnegie Hall. October 5, 2019 And the night’s concluding piece, Rumbling Waves, played by Larson and Matt Evans, was true to its title. Next track coming at {{ track.endsAt }} Eastern. Over the past few years, they’ve championed some of the best obscure composers from around the world and resurrected others whose work has been undeservedly forgotten. 2014-18 – still going strong…thanks for stopping by! Gordon’s translucence, his gift for melody and also his wit were echoed throughout Weiser’s compositions. 2010 – Lucid Culture steps up coverage of jazz and classical while rock lingers behind. The trio handled its challenging whoops, microtones and exotic ornamentation while the chorus grounded the piece with equal parts lushness and austerity, bolstered by Rima Fand’s darkly ambered string score. Additionally, the Fair Trade Trio performed a concert featuring works of living female composers, including Cheryl Frances-Hoad’s “The Ogre Lover,” based on a poem by Ted Hughes about Smith College graduate Sylvia Plath. There are young women in this group who will be able to sing for a living, especially the two high sopranos on the far end, stage right. Your current browser isn't compatible with SoundCloud. avant garde music, concert, Live Events, Music, music, concert, New York City, review, Reviews | 21st century music, avant-garde music, chris graham percussion, classical music, concert, concert review, ensemble mis-en scandinavia house, ensemble mise-en, ensemble mise-en review, ensemble mise-en scandinavia house review, hannah levinson viola, indie classical, João Quinteiro, josh perry percussion, Maria Im, Martin Loridan, Mise-En Festival, mise-en festival 2019, mise-en festival 2019 review, Mise-En Festival review, Music, music review, new music, Peder Barratt-Due, sabina torosjan, Yie-Eun Chun, Yoon Jae Lee, yumi suehiro | display: none; Sabotage and Celebration[1][2][3][4] is an album by British-born, Brooklyn-based pianist and keyboardist John Escreet. Pianist Karl Larson, percussionist Matt Evans and bassist Pat Swoboda established a murky, minimalist ambience that grew and grew until those waves were about to dash the theme on a jagged, rocky shore. The two have an enviable pedigree, mentored by two Bang on a Can luminaries: Evans with Julia Wolfe and Weiser with Michael Gordon. Enjoy our featured playlists, browse videos and audio organized by theme or instrumentation, or just cue up a random track. Leave a comment, Maya Bennardo is one of the violinists in the perennially ambitious Mivos Quartet. In its troubled way, it’s a stunning piece of music. The latter took a comfortable, homespun folk tune and made an ecstatically swinging, sometimes stomping celebration out of it – with some hilariously goofy vocalisms midway through. Posted by delarue | Counterstream Radio is your online home for exploring the music of America’s composers. Lem's work follows a team of scientists stationed on a distant planet covered by a vast and gelatinous ocean. These were dark, moody, otherworldly thrills, first from Clyne’s rhythmic suite Prima Vulgaris (meaning “evening primrose”), delivered with verve by violinists Alex Shiozaki and Curtis Stewart, violist Hannah Levinson and cellist Saeunn Thorsteinsdottir. All educational partner schools receive free performances at their schools and complimentary admission to Fair Trade concerts. As passionate about teaching as it is about performing, the Fair Trade Trio has developed partnerships with several area music programs including the WHIN Music Project, the Corona Youth Music Project, the Bronx Global Learning Institute for Girls, and the Frank Sinatra School of the Arts. Her primary teachers include Nadia Sirota, Martha Strongin Katz, and Karen Ritscher. In a multi-composer bill along the same lines as what the Miller Theatre does, Mimesis Ensemble staged a program featuring works of four current composers – Anna Clyne, Alexandra du Bois, Daniel Bernard Roumain and Mohammed Fairouz – to rival any Shostakovian thrills filling the halls further up Broadway. Create a free website or blog at WordPress.com. Contrasting nebulous ambience with tricky polyrhythmic counterpoint, the duo rode its dynamic shfits confidently through exchanges of incisive pizzicato with muted austerity, to a particularly tasty, acerbic, tantalizingly brief coda. This page was last edited on 12 December 2019, at 00:39 (UTC). The first half was a characteristically rare treat. They have given performances and masterclasses at Arizona State University, UC Santa Cruz, Western Connecticut State University, Bowling Green State University and are Artists-in-Residence at the Snow Pond Composers Workshop (Sidney, ME). It’s the album’s most distinctly microtonal track, Bennardo and Levinson quietly reveling in both its sharp, short, flickeringly agitated riffs and misty stillness. Insistent, kinetic riffage that rose to frantic levels and a creepy chase scene midway through contrasted with tense, minimalist call-and-response over a pulse that began on the cowbell and then made its way through less comedically evocative instruments. Caroline Shaw was represented by two works, Its Motion Keeps and Anni’s Constant. That put everyody in a good mood. As an orchestral musician, she has played under the baton of Pierre Boulez, Peter Eötvös, Jeffrey Milarsky, David Robertson, and Robert Spano. Login or register to start creating your own playlist! A portrait of the composer’s home turf, it evoked the noir bustle of Charles Mingus, the persistent unease of Messiaen, a little circular Steve Reich in the background along with Miho Hazama at her most majestic. Contact Info View agent, publicist, legal on IMDbPro STARmeter. As if we need further proof that music doesn’t have to be dumbed down to appeal to younger musicians, this concert was it. Hannah is also an active teacher, and is on faculty at Western Connecticut State University. andPlay’s performances have been described as “sheer virtuosity” (Cinemusical), “otherworldly” (New York Music Daily) and “an awful lot of fun for people who gravitate … Viola – Hannah Levinson, Begins at 17:40. Is your network connection unstable or browser outdated? avant garde music, concert, folk music, Live Events, Music, music, concert, New York City, review, Reviews, world music | 21st century music, american contemporary music ensemble, avant grarde msuic, avant-garde music, ben russell violin, Black Sea Hotel band, black sea hotel choir, Brooklyn Youth Chorus, Brooklyn Youth Chorus national sawdust, Brooklyn Youth Chorus national sawdust review, Brooklyn Youth Chorus review, caleb burhans, caroline shaw, choral musie, clarice jensen, concert, concert review, Dave Cossin on percussion, David Dunaway bass, Dianne Berkun-Menaker, Geremy Schulick, hannah levinson viola, indie classical, julian crouch, music review, national sawdust, new music, paola prestini, rebecca turner singer, rima fand, Rinde Eckert, sarah small music, Shelley Thomas, Willa Roberts. Honstein praises the duo for their "consummate professionalism, fierce musicality and an unflappable good spirit." Weiser and Evans share a fondness for emphatic, rhythmic motives for a foundation, but that’s where the similarity seems to end. She is a founding member of the violin/viola duo andPlay, described by I Care If You Listen as “enthusiastic champions for new music and collaboration.” 'jetpack-lazy-images-js-enabled' The string quartet played Weiser’s Quake, meant to illustrate a tectonic system on the verge of completely coming apart, an insistently polyrhythmic, artfully dynamic exploration up to an agitatedly galloping coda. The two percussionists, Josh Perry and Chris Graham, had a blast, their whirs and buzzes and a momentary, thunderous boom from a large collection of strikable items punctuating a dancing, flickering parade of fragmentary imagery. Andplay, the duo of violinist Maya Bennardo and violist Hannah Levinson, delivered a graceful take of Dogged, a series of variations on a four-note theme common in Neil Young-style rock that rose from austere building blocks to a warmly sustained conclusion. As one would expect from a suite inspired by a philosophically-inclined bon vivant murdered at 29 by the Nazis, it has a wounded, elegaic quality. In the novel, the ocean demonstrates a bizarre ability to manipulate the emotions and memories of the scientists. [email protected]. I am a freelance violist focusing on contemporary classical performance, but equally at home in traditional settings. The laptop loops of composer David Bird‘s live remix of his epic Apochrypha threatened to completely subsume the strings, but that quasar pulse happily receded to the background. Together, the two musicians call themselves andPlay. The “genre-busting” (Midwest Records) New York City-based duo of Maya Bennardo, violin, and Hannah Levinson, viola, first played to an eager crowd on Fire Island in the summer of 2012 and has since commissioned over thirty works. Despite living on opposite sides of the city, the members of andPlay enjoy taking the subway to meet for rehearsals and delicious baked goods. The highlights among his works were a trio of songs done by Larson and soprano Charlotte Mundy. Madeline Fayette, cello. Afficher les profils des personnes qui s’appellent Hannah Levinson. Posted by delarue | They’re playing the release show at the Metropolis Ensemble‘s intimate second-floor digs at 1 Rivington St. on Oct 4 at 7:30 PM. For this he brought along  poet David Shapiro, whose bittersweet Socratically-themed texts were fleshed out by a septet with strings and flute, strongly sung by soprano Katharine Dain and masterfully lowlit by Katie Reimer’s alternately vigorous and murkily resonant piano. You need to enable JavaScript to use SoundCloud, Apocrypha - for violin, viola, and electronic sounds, composed by David Bird, performed by andPlay (Hannah Levinson and Maya Bennardo), February 25, 2017, at the Dimenna Center for Classical Music, NY These works were sophisticated, employed all kinds of intricate counterpoint, required considerable amounts of what an instrumentalist would call extended technique, and the group rose to meet those demands efficiently and expertly: they schooled the old people in the house. Fifteen-Minutes-of-Fame: andPlay with Maya Bennardo & Hannah Levinson, violin & viola Deadline: September 26, 2013. Their audience engagement series, andPlay (in) Conversation, includes events like graphic score workshops for children, and opportunities to look inside the collaborative process as composers write new works for andPlay. There are several annual festivals dedicated to new orchestral and chamber music in New York, but no organization casts a wider net than Ensemble Mise-En. Last night at Scandinavia House, an expanded edition of the group played a marathon conclusion to their annual festival. It was released on 15 October 2013 on Whirlwind Recordings. Throughout the program, the chorus were accompanied seamlessly by the American Contemporary Music Ensemble: Ben Russell and Caleb Burhans on violins, Hannah Levinson on viola and Clarice Jensen on cello, augmented by Dave Cossin on percussion, David Dunaway on bass and Geremy Schulick on electric guitar plus a pianist uncredited in the program.

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