Depiction of Christ in the Temple, 1500 (see also 147226), The Flagellation, from the Altarpiece for the Dominikanerkirche, 1501, The Flagellation of Christ, detail from an altarpiece, 1496, The Death of the Virgin, Painted Wing of the Afra-Altarpiece, 1490, Portrait of a Member of the Weiss Family of Augsburg, Portrait of a Wife of an Unknown Stonemason, Ambrosius and Hans, the sons of the artist. | huile sur bois, Non daté. Augburg was on the high road between Germany and Italy, and Holbein, drinking deeply of Italian culture substituted the softer Southern elements for the precise and archaic German methods. http://www.newadvent.org/cathen/07385a.htm. | Huile sur panneau, Non daté. 1516-17. to fulfill commissions, mostly for churches and monasteries. In addition to local influences, his art was indebted to Netherlandish painting, which he had possibly come to know on a journey to Cologne, perhaps to Ghent or Bruges as well. | crayon d'argent sur papier, 1496 Conception pour un retable représentant des saints. Encyclopedic Dictionary. Holbein received numerous commissions for altarpieces in the Augsburg and Ulm environs, among them a twelve-part Passion cycle, produced in 1495-1500, the so-called 'Grey Passion'. . | huile sur panneau, 1512 Choisir parmi plus 36 Œuvres artistiques peintre célèbre. http://www.newadvent.org/cathen/07385a.htm. Please help support the mission of New Advent and get the full contents of this website as an instant download. Tempera on wood. | inconnu, 1943 Reproductions artistiques fidèles au musée Hans Holbein the Elder. His "Madonna Enthroned" is preserved in the Germanic Museum, at Nuremberg, while two portraits by him (probably a man and wife) are in the Hampton Court collection. The Death of the Virgin, From the Altarpiece of the Dominicans in Frankfurt, ... Madonna and Angels in a Landscape, c.1500. Hans Holbein the Elder was born in Augsburg, the son of an artist, where he spent most of his life. | dessin, 1511 Vol. Holbein was one of the leading and most productive of his generation north of the Alps, and the first German artist known by name by whom a comprehensive corpus of drawings survives. Assured documentary evidence about Holbein's apprenticeship and journeyman years is non-existent. "Hans Holbein." Furstlich Furstenbergisches Schlossmuseum, Donaueschingen. | Huile sur bois, 1496 c.1501. | huile sur panneau, 1513 These wanderings may have been occasioned by financial embarrassments, for he was poor and in debt all his life. Holbein's early work shows that he followed van der Weyden and Memling. | Stylo et encre brune au crayon sur papier, 0 | Stylo et encre brune au crayon sur papier, Non daté. | crayon sur papier, Non daté. June 1, 1910. WORNUM, Life and Works of Hans Holbein (London, 1867); CHAMBERLAIN, Hans Holbein (London, 1902); WOLTMAN, Holbein und seine Zeit (2nd ed., Leipzig, 1876); WITT, German and Flemish Masters in the National Gallery (London, 1904). Kunstmuseum Basel, Basel, Switzerland. Thus the elder Holbein was a pioneer and leader in the transformation of German art. Oil on wood. La tête d'un arbalétrier prenant pour cible, 1514-1515, 1943. He is registered among the citizens of Ulm in 1499; he was established in Frankfort in 1501 and subsequently lived and painted at Basle and Alsace. In Augsburg both his sons, Ambrosius and Hans, were born. Painter, draughtsman, stained-glass painter, copperplate engraver, wood engraver and commercial artist (male). This emancipation of painting (1512-22), begun by the elder Holbein, was to be completed by his son, Hans. Ecclesiastical approbation. Hans Holbein, the Elder, (born c. 1465, Imperial Free City of Augsburg [Germany]—died 1524, Isenheim, Alsace [now in France]), German painter associated with the Augsburg school. People Projects Discussions Surnames Includes the Catholic Encyclopedia, Church Fathers, Summa, Bible and more — all for only $19.99... A German painter; b. at Augsburg about 1460; d. at Isenheim, Alsace, in 1524. Remy Lafort, S.T.D., Censor. Except that he was born in the Bavarian centre of art, culture, and commerce, and that his father, Michael, was a well-to-do leather-worker, little is known of his early life. Hans Holbein the Elder was born in Augsburg, the son of an artist, where he spent most of his life. The sketch books of this prolific artist, preserved at Berlin and Copenhagen, are filled with portraits, chiefly in silver-point, the noteworthy faces therein being the Emperor Maximilian, his fool, Kuntz von der Rosen, the Fuggers, and other men conspicuous in commerce and at Court. Ambrosius et Hans, les fils de l'artiste, 1511, 1943. This article was transcribed for New Advent by Rebecca J. M. Morris. Forged documents and false inscriptions for a long time ascribed works to the son which modern authorities ascribe to the father. He was a spirited and robust, if sometimes vulgar, painter, a man of imagination and power, possessing a splendid capacity for depicting character. He was one of the finest painters, if not the first, in Germany to avoid angles, lines, and sharp folds in his elaborate draperies. The head of a crossbowman taking aim, 1514-1515, 1943. c.1505. | huile sur chêne, 1533 His oeuvre, including some of the best portraits from the pre-Dürer period, exhibits in its later phase increasing Italian elements, and stands on the threshold between the Late Gothic and the Renaissance. | Huile sur panneau, Non daté. | inconnu, 1504 Nihil Obstat. Oil on oak. Hunt, L. (1910). . The majority of the great critics incline to this opinion, while others aver that his poverty and debts were due to his long and notorious resistance to Italian influence. In this, his "dry' period of painting, his subjects were chiefly from the Passion, and, although they exhibit crude grouping and colour, and a naïve technique, they nevertheless evince a profound sentiment of sincerity and devotion. Portrait de Konrad Wurffel (crayon argenté sur papier). He and his brother Sigmund painted together — how long, and on what pictures, cannot be discovered; but Hans always signed the work. In The Catholic Encyclopedia. | Encre sur papier, 1516 Mixed technique on spruce. In 1524 the Augsburg guild records list him as deceased. +John Cardinal Farley, Archbishop of New York. Read Note. About 1520 Holbein was in Alsace and sought refuge with the monks of Isenheim. 1999. 1491. From Augsburg he travelled to the other cities of Germany, such as Ulm, Munich, Frankfurt-am-Mein, etc. He was the senior member of a family of painters that included his brother Sigmund and his sons Ambrosius (c. 1494–1519/20) and the famous Hans Holbein the Younger. 24 Works by Hans Holbein the Elder. Iskusstvo. Read Note. Kunstmuseum Basel, Basel, Switzerland. At Frankfort, in 1501, Holbein painted a large and important altar-piece for the Dominicans and for some time after seems to have won pecuniary success. 1460 / 1470 in Augsburg Died 1524 in Isenheim School Renaissance und Late Gothic . Sainte Anne avec la Vierge et l&39;Enfant, Joseph, Joachim, Di... La mort de la Vierge, retable des dominicains à Francfort, 1501. | Encre et stylo sur papier, Non daté. | Technique mixte sur bois résineux, 1522 Tree of Jesse, High Altar of the Dominican Church in Frankfurt, Innenseite des rechten Flügels eines Allerheiligenaltars, Portrait of a Member of the Weiss Family of Augsburg, Köpfchen zur Einfassung der Veitschen Freskobilder im Städelschen Kunstinstitut, Portrait of Margarete Stalburg, née vom Rhein (1484–1550), Wings of an Altarpiece from the Private Chapel of the Stalburg in Frankfurt. Hunt, Leigh. Genealogy for Hans Holbein the Elder (1460 - c.1524) family tree on Geni, with over 200 million profiles of ancestors and living relatives. My email address is webmaster at newadvent.org. Moscow. |, Représentation du Christ dans le Temple, 1500 (voir aussi 147226), La Flagellation, du Retable de la Dominikanerkirche, 1501, La flagellation du Christ, détail d&39;un retable, 1496, La mort de la Vierge, aile peinte de l&39;autel Afra, 1490, Portrait d'un membre de la famille Weiss d'Augsbourg, Portrait d'une femme d'un tailleur de pierre inconnu. Berlin. Hans Holbein. Hans Holbein der Ältere. He may well have studied in the studio of the great Schongauer, and some authorities state that he married the daughter of the engraver and painter Brickmaer (von Stetton). Painter, draughtsman, stained-glass painter, copperplate engraver, wood engraver and commercial artist (male) Born ca. {{selectedLanguage.Name}} He was an acknowledged master of altars in the Southern Germany.

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